Broadway between 46th & 47th Sts
New York, NY 10036
Start:
Sep 21, 2015
End:
Sep 21, 2015
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A 10-year tradition continued as the Metropolitan Opera's 2015-2016 Season opened with a live transmission of Verdi's Otello to multiple screens in Times Square, September 21, 2015 at 6:00 pm.The Met season opened with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probed the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko played the doomed Otello; new soprano star Sonya Yoncheva sang Desdemona, Otello’s innocent wife and victim; and baritone Željko Lučić played the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducted.The opera is set on the island of Cyprus in the late 15th century. The island itself represents an outpost of a European power (Venice) under constant attack from an encroaching, hostile adversary (the Turkish Empire). In a sense, the setting echoes Otello’s outsider status: he is a foreigner surrounded by suspicious Europeans. The Met’s new production updates the setting to the late 19th century, where the action unfolds in a shape-shifting glass palace.#MetONPhotographs courtesy of Sara Kerens for @TSqArts.
A 10-year tradition continued as the Metropolitan Opera's 2015-2016 Season opened with a live transmission of Verdi's Otello to multiple screens in Times Square, September 21, 2015 at 6:00 pm.The Met season opened with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probed the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko played the doomed Otello; new soprano star Sonya Yoncheva sang Desdemona, Otello’s innocent wife and victim; and baritone Željko Lučić played the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducted.The opera is set on the island of Cyprus in the late 15th century. The island itself represents an outpost of a European power (Venice) under constant attack from an encroaching, hostile adversary (the Turkish Empire). In a sense, the setting echoes Otello’s outsider status: he is a foreigner surrounded by suspicious Europeans. The Met’s new production updates the setting to the late 19th century, where the action unfolds in a shape-shifting glass palace.#MetONPhotographs courtesy of Sara Kerens for @TSqArts.
Support for The Path: A Meditation of Lines is provided in part by Morgan Stanley, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and additional in-kind support from the Times Square Edition Hotel.
Broadway between 46th & 47th Sts
New York, NY 10036