The Doors: Lizard Kings
Artist-Led Audio Guide
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Broadway between 41st and 49th Streets
New York, NY
Start:
Jun 1, 2023
End:
Jun 30, 2023
Nightly,11:57PM-12AM
View Public Programming
Metallic crystal-ridged lizards prowl and skitter across the screens of Times Square in The Doors: Lizard Kings by Zach Blas. Featuring five fantastical computer-generated creatures choreographed across 63 distinct channels, June’s Midnight Moment stems from Blas’s 2019 immersive media installation The Doors, a work exploring psychedelia, drug use, artificial intelligence, and Silicon Valley’s connections to California counterculture from the 1960s.
Slimy, glowing, and covered with mineral elements modeled after nickeline and tungsten, each of the five rendered reptiles takes on distinct personalities derived from AI neural networks trained on a constellation of sources, including Aldous Huxley’s 1954 novel The Doors of Perception and the 1960s California psychedelic rock band The Doors. Blas modeled the creatures after the prehistoric Barbaturex morrisoni, a now extinct lizard named after The Doors frontman Jim Morrison, a play on Morrison’s epithet “The Lizard King” and a prominent symbol of psychedelic liberation in the 1960s. As the lizards move through black mirrored passageways, Blas sees them as traveling in time between the psychedelic culture of the past and the present.
The Doors: Lizard Kings also nods to the contemporary psychedelic trends of microdosing LSD and psilocybin mushrooms, as well as taking nootropics. Blas suggests that this new drug culture, popularized in the tech industry, re-engineers psychedelic experience to optimize labor, promising to “unlock” doors of the mind for workers to labor faster and more efficiently. The Doors: Lizard Kings proposes a new generation of Barbaturex morrisoni, computational symbols for a 21st century psychedelia predicated on worker productivity, smart drugs, and AI hallucinations.
Film Credits
Zach Blas, The Doors: Lizard Kings 2019 / 2023
Originally commissioned by Edith-Russ-Haus für Medienkunst, Oldenburg, Germany; de Young Museum, San Francisco, US; and Van Abbemuseum, Eindhoven, Netherlands
Sound Credits
The original presentation of The Doors featured an aural accompaniment that oscillates between abstract soundscapes and poetry spoken in AI generated voice resembling Jim Morrison’s.
Metallic crystal-ridged lizards prowl and skitter across the screens of Times Square in The Doors: Lizard Kings by Zach Blas. Featuring five fantastical computer-generated creatures choreographed across 63 distinct channels, June’s Midnight Moment stems from Blas’s 2019 immersive media installation The Doors, a work exploring psychedelia, drug use, artificial intelligence, and Silicon Valley’s connections to California counterculture from the 1960s.
Slimy, glowing, and covered with mineral elements modeled after nickeline and tungsten, each of the five rendered reptiles takes on distinct personalities derived from AI neural networks trained on a constellation of sources, including Aldous Huxley’s 1954 novel The Doors of Perception and the 1960s California psychedelic rock band The Doors. Blas modeled the creatures after the prehistoric Barbaturex morrisoni, a now extinct lizard named after The Doors frontman Jim Morrison, a play on Morrison’s epithet “The Lizard King” and a prominent symbol of psychedelic liberation in the 1960s. As the lizards move through black mirrored passageways, Blas sees them as traveling in time between the psychedelic culture of the past and the present.
The Doors: Lizard Kings also nods to the contemporary psychedelic trends of microdosing LSD and psilocybin mushrooms, as well as taking nootropics. Blas suggests that this new drug culture, popularized in the tech industry, re-engineers psychedelic experience to optimize labor, promising to “unlock” doors of the mind for workers to labor faster and more efficiently. The Doors: Lizard Kings proposes a new generation of Barbaturex morrisoni, computational symbols for a 21st century psychedelia predicated on worker productivity, smart drugs, and AI hallucinations.
Film Credits
Zach Blas, The Doors: Lizard Kings 2019 / 2023
Originally commissioned by Edith-Russ-Haus für Medienkunst, Oldenburg, Germany; de Young Museum, San Francisco, US; and Van Abbemuseum, Eindhoven, Netherlands
Sound Credits
The original presentation of The Doors featured an aural accompaniment that oscillates between abstract soundscapes and poetry spoken in AI generated voice resembling Jim Morrison’s.
Midnight Moment is made possible by the Times Square Advertising Coalition, ABC SuperSign, American Eagle, Branded Cities, Clear Channel, Disney Store, Express, Levi's, LG, Luxottica Group S.p.A., Morgan Stanley, Microsoft, New Tradition, Sensory Interactive, Sephora, Sherwood Equities, Show + Tell, Silvercast, Swatch, T-Mobile, and JCDecaux. Major support of Times Square Arts is provided by Morgan Stanley. Additional program support is provided by the National Endowment for the Arts; the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; and public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional support for Midnight Moment is provided by Meta, the National Endowment for the Arts, and the Times Square Advertising Coalition.
Broadway between 41st and 49th Streets
New York, NY
Nightly,11:57PM-12AM
