Broadway between 41st and 49th Streets
New York, NY
Start:
Feb 1, 2020
End:
Feb 29, 2020
Nightly,11:57PM-12AM
View Public Programming
Broadway between 41st and 49th Streets
New York, NY
Start:
Feb 1, 2020
End:
Feb 29, 2020
Nightly,11:57PM-12AM
View Public Programming
Shantell Martin’s drawings have appeared on everything from Japanese nightclub stages — where she collaborated with noise musicians as a video jockey — to canvases, large-scale murals, cars, and apparel. With a meditative process defined by an uninhibited flow, her compositions embody her internal state and the impermanence of the world around her. Exploring themes of identity and intersectionality, Martin sees herself as a cultural facilitator, forging new connections between fine art, education, design, philosophy, and technology. Below the surface of her signature black and white line drawings is an artist’s playful, direct questioning of viewers, rearranging words such as “you,” “are,” and “who” to create new meanings and spark reflection.
Lines of Mars (2019), created by Martin for Midnight Moment, features her improvisational illustrations and text appearing and disappearing, line by line, on a black background. Drawn on a digital tablet, the work features many of Martin’s recurring motifs, including faces, stick figures, and “birds boats” over an ocean, interspersed with hand-written words. Continuing the artist’s exploration of self that runs throughout her work, Lines of Mars asks the age-old question “who are you?” Those three words are repeated and reconfigured to finally conclude that “you are you.” This encouragement to viewers to think individualistically both participates in and counters the mass-messaging of advertisements otherwise seen on the electronic billboards of Times Square.
“I wanted to create a piece that explored the use of lines and words in a simple way to ask a complicated question. Asking this in a place like Times Square helps the question grow.”
—Shantell Martin
Lines of Mars references multiple aspects of Times Square, including a staircase reminiscent of the Red Steps; “1904,” the year Times Square was named; and “12,” a reference to the end time of Midnight Moment or the beginning of a new year. Presented during the month of Love in Times Square, the work encourages viewers to understand, to be, and to love their true selves.
Lines of Mars was arranged and formatted for Midnight Moment by Optical Animal.
Shantell Martin’s drawings have appeared on everything from Japanese nightclub stages — where she collaborated with noise musicians as a video jockey — to canvases, large-scale murals, cars, and apparel. With a meditative process defined by an uninhibited flow, her compositions embody her internal state and the impermanence of the world around her. Exploring themes of identity and intersectionality, Martin sees herself as a cultural facilitator, forging new connections between fine art, education, design, philosophy, and technology. Below the surface of her signature black and white line drawings is an artist’s playful, direct questioning of viewers, rearranging words such as “you,” “are,” and “who” to create new meanings and spark reflection.
Lines of Mars (2019), created by Martin for Midnight Moment, features her improvisational illustrations and text appearing and disappearing, line by line, on a black background. Drawn on a digital tablet, the work features many of Martin’s recurring motifs, including faces, stick figures, and “birds boats” over an ocean, interspersed with hand-written words. Continuing the artist’s exploration of self that runs throughout her work, Lines of Mars asks the age-old question “who are you?” Those three words are repeated and reconfigured to finally conclude that “you are you.” This encouragement to viewers to think individualistically both participates in and counters the mass-messaging of advertisements otherwise seen on the electronic billboards of Times Square.
“I wanted to create a piece that explored the use of lines and words in a simple way to ask a complicated question. Asking this in a place like Times Square helps the question grow.”
—Shantell Martin
Lines of Mars references multiple aspects of Times Square, including a staircase reminiscent of the Red Steps; “1904,” the year Times Square was named; and “12,” a reference to the end time of Midnight Moment or the beginning of a new year. Presented during the month of Love in Times Square, the work encourages viewers to understand, to be, and to love their true selves.
Lines of Mars was arranged and formatted for Midnight Moment by Optical Animal.
Optical Animal is a Brooklyn based digital arts collective, directing and producing works of new media, cinema, video art, and audio. Since 2008, Optical Animal has found a home in creating unique experiences that employ new ideas and technology, while remaining firmly rooted in the ancient human love for storytelling. opticalanimal.com
Broadway between 41st and 49th Streets
New York, NY
Nightly,11:57PM-12AM
A multifaceted artist celebrated for her public artwork and known for her work across various disciplines, Shantell Martin has achieved notable success in the realms of fine art, education, design, philosophy, and technology. Her journey includes collaborations with prestigious institutions such as MIT Media Lab, NYU Tisch ITP, and Columbia University’s Brown Institute, as well as choreographing for the Boston Ballet. Martin's art explores themes like intersectionality, identity, and play, and she has showcased her work with renowned institutions, including Governors Island Arts, the Denver Art Museum, the Brooklyn Museum, the 92Y Gallery in New York, Albright Knox Gallery, and the New Britain Museum of American Art. Her involvement in media and technology innovation, particularly at the Brown Institute for Media Innovation, highlights her role in integrating visual art with storytelling and technology.
Learn More About
Shantell Martin
A multifaceted artist celebrated for her public artwork and known for her work across various disciplines, Shantell Martin has achieved notable success in the realms of fine art, education, design, philosophy, and technology. Her journey includes collaborations with prestigious institutions such as MIT Media Lab, NYU Tisch ITP, and Columbia University’s Brown Institute, as well as choreographing for the Boston Ballet. Martin's art explores themes like intersectionality, identity, and play, and she has showcased her work with renowned institutions, including Governors Island Arts, the Denver Art Museum, the Brooklyn Museum, the 92Y Gallery in New York, Albright Knox Gallery, and the New Britain Museum of American Art. Her involvement in media and technology innovation, particularly at the Brown Institute for Media Innovation, highlights her role in integrating visual art with storytelling and technology.
Learn More About
Shantell Martin
A multifaceted artist celebrated for her public artwork and known for her work across various disciplines, Shantell Martin has achieved notable success in the realms of fine art, education, design, philosophy, and technology. Her journey includes collaborations with prestigious institutions such as MIT Media Lab, NYU Tisch ITP, and Columbia University’s Brown Institute, as well as choreographing for the Boston Ballet. Martin's art explores themes like intersectionality, identity, and play, and she has showcased her work with renowned institutions, including Governors Island Arts, the Denver Art Museum, the Brooklyn Museum, the 92Y Gallery in New York, Albright Knox Gallery, and the New Britain Museum of American Art. Her involvement in media and technology innovation, particularly at the Brown Institute for Media Innovation, highlights her role in integrating visual art with storytelling and technology.
Learn More About
Shantell Martin